THE ASV BLOG

— by JANICE NINAN

RAMMED EARTH AND REMEMBERANCE

Tactile Tuesdays | Tactility as memory. Clay as reconciliation. Architecture as dialogue with the past.

Architecture of the Church of Reconciliation, Berlin

On Bernauer Strasse in Berlin, architecture and memory meet in a profound way. Here, the Church of Reconciliation stands as both a spiritual space and a physical reminder of the city’s fractured past. The original church, trapped between the barriers of the Berlin Wall, was destroyed in 1985. Its absence became an emblem of division, but its rebirth in 2000 gave the city a new symbol—one rooted in healing.

What makes the new structure remarkable is not only its circular form or its contemplative presence, but the choice of material: rammed earth walls made from clay gathered directly from the site of the former Berlin Wall. In this act, soil once synonymous with separation was transformed into a vessel of unity and reconciliation.

Clay is not a neutral material. It holds warmth, absorbs moisture, and reveals texture in a way that concrete or steel never can. Inside the chapel, the tactility of the walls changes the experience of space. Light is absorbed softly rather than reflected harshly. Sounds are muffled, giving the interior an almost hushed intimacy. The walls, layered by hand and pressure, display striations of earth that feel both fragile and timeless.

To press your hand against the clay is to feel its porosity, its roughness, its grounding presence. It makes history tangible. The wall is not polished smooth, not distanced from touch, but instead invites the visitor to physically engage with it. In doing so, one confronts both the pain of division and the possibility of reconciliation—quite literally embedded in the earth.

The use of clay here is more than a sustainable material choice. It is an ethical and poetic gesture: memory made tactile, history rebuilt into a place of peace. The Church of Reconciliation shows us how architecture can hold space for healing—not only through form and light, but through the direct materiality of touch.

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